Isadora gonzalez biography books

It's a bit of a stretch to suggest, as Peter Kurth does in his biography of the expatriate artist, that Isadora Duncan (1877-1927) single-handedly invented modern dance, a claim that Vaslav Nijinsky and George Balanchine, among others, would almost certainly contest.

But Kurth has that claim on good authority, namely Duncan herself, who recalled, "I was possessed by the dream of Promethean creation that, at my call, might spring from the Earth, descend from the Heavens, such dancing figures as the world had never seen." Never shy of self-promotion, Duncan captivated audiences wherever she took the stage, earning a following--but also stirring controversy--in her native United States, and even greater exaltation and stormier criticism in Europe, where she made her home for most of her adult life.

There she emerged as a textbook bohemian, avidly practicing and preaching free love and other convention-flouting doctrines, breaking hearts, taking up with political radicals and some of th